I Still Feel Your Skin on Mine examines the complex emotional terrain between former lovers, exploring the lingering connections that persist even after relationships end. By photographing these individuals in moments of raw vulnerability—where their bodies are exposed and their emotions laid bare—the series captures an unfiltered, nuanced portrayal of love, loss, and the aftermath of intimacy.
In this project, the physical boundaries between the subjects are as intentional as the emotional ones. They are forbidden to speak or touch during the session. Instead, they attempt to reach for one another, separated by glass that allows them to see and feel each other without fully connecting. The intimacy is further mediated through objects—like the warmth left behind in clothes they’ve just taken off—emphasizing the tension between closeness and distance.
Both individuals are placed on neutral ground, both metaphorically and literally, by situating them in a stark white void accompanied only by their shadows.
Ultimately, I Still Feel Your Skin on Mine is less about resolving the past and more about sitting with the unresolved—the remnants of intimacy that linger in the body, memory, and psyche. By confronting these emotions through photography’s visual language, the series invites viewers to reflect on their own vulnerabilities, relationships, and the ways they carry those connections forward.